Ferhan Şensoy

Godot Go Home

While Beckett centered on existential matters in "Waiting for Godot," Şensoy authentically adapted this play to address and mock the oppressive and fascist authorities in "Godot Go Home."

Ferhangi Şeyler

Ferhan Şensoy is back with a message from 1993! Ferhangi Şeyler, Ferhan Şensoy's one-man show, which he has been performing continuously since March 7, 1987, is an evaluation of everyday events through Ferhan's humorous lens.

İşler Güçler

İşler Güçler, is a Turkish comedy series which first aired on 28 June 2012 on Star TV and tells the story of 3 actors, with the motto, Modern Muzip Yalanlar. Ahmet Kural, Murat Cemcir and Sadi Celil Cengiz shares the leading roles. Although rumour had it that it was going to be over at the end of the summer, the board of Star TV made an explanation that they would go on issuing it in the 2012−13 publication season, due to the interest their fans had shown

I'm Glad I Did

Metin Akpınar has not been on the theater stage since 1992. In addition to TV series and movies, new generations were able to meet him with Devekuşu Kabare's six plays that could be recorded. As if it was written today, those who watched had a taste of his unique acting in current plays. It was an acting that accompanied his talent and his intellectual background. "I'm Glad I Did", when transferring through the years Metin Akpinar he brought his own narrative, on the other hand, offers a different approach to Turkey's recent history, leaving an archive for the future by refreshing memory.

Pardon

Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms makes him runaway whenever he sees one. Because of this, police mistakes him with a terrorist and takes him and his friend Muzo into custody. Fooled by the police during the interrogation they name another friend, Aydin, in hope of saving themselves. As they all end up in prison, they remember the families and lovers they left behind.

Seyircili Seyir Defteri

Ferhan Şensoy and his team perform their play, which takes place inside a ship, from inside the same ship for their audience. Ferhan Şensoy, a true wordsmith, plays the captain, and the ship's crew returns from a long voyage and sets sail for Turkey. When they see the state of the country, they decide to turn back, saying, "Take it, it's yours." Deeply troubled by the public's tendency to accept every new crisis as normal, Şensoy remarks, "In another country, the people would rise up and protest, but here, such things do not occur," and in his "Audience Logbook," he critiques the nation's issues using the vernacular of the people.

Aşk Dediğin Laf Değildir

The love story of a handsome beach attendant with two young women, one rich and the other disabled.

Soyut Padişah

The Ottoman Empire through the eyes of an abstract sultan, who is unknown even to his own people, who always delegates his responsibilities to the wrong people around him due to his incompetence in state affairs, and who knows nothing about war.

Son Ders: Aşk ve Üniversite

What a Turkish lecturer from abroad will teach university students will not be limited to the school curriculum. Yet this new teacher is unassuming; he begins his first lesson by saying, “No one here needs this lesson.” However, when the students—and especially one of them—notice him, a whole new world opens up before them. As Ulaş learns about Saffet Hoca’s past, his life strangely intersects with Saffet Hoca’s.

Dayı Şov