Ganjirō Nakamura II

Hissatsu Shigotonin

Nakamura Mondo was relegated to a post in Hachioji from the Minamimachi Bugyōsho and he has retired from professional assassin. But one day he was ordered to return to the Minamimachi Bugyōsho. Shikazō worked behind the scenes to get Mondo back to the Minamimachi Bugyōsho. Shikazō asks Nakamura Mondo to kill a man, once Mondo refuses but he is blinded by big money and eventually take the offer. Mondo restarts killing villains again with Kazarishokunin no Hide and Nawate Samon.

Lord Tadanao

The Third Will

A story about a wealthy family and the greed and selfishness of three daughters and relatives, after the passing of their old father.

When a Woman Ascends the Stairs

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Kwaidan

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

Bamboo Doll of Echizen

Kisuke, a young bamboo worker marries Tomoe, a geisha who was once involved with Kisuke's late father.

Floating Weeds

When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences.

Summer Clouds

A war widow with a young boy manages a farm with her bossy mother-in-law. When a reporter comes to interview her, the two begin an affair. He turns out to be married and won't leave his wife. Her older brother tries to marry off his children and hang on to/ extend his farm through an advantageous marriage in the face of threatened land confiscation and the desire of his children to get comfortable urban jobs instead of the backbreaking work in the paddy fields under parental control.

The End of Summer

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

The Pornographers

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.