Giovanni Ciccia

Al Fondo Hay Sitio

Al fondo hay sitio is a Peruvian TV series created in 2008-2009 by Efraín Aguilar. It deals with the problems of social differences and economic status. It's one of the most popular shows in Peru and is now being shown in Ecuador, Bolivia, Paraguay and Uruguay.

Recontraloca

When a woman visits a Chinese doctor, she discovers her pain is due to pent-up rage, and the only cure is to fully express herself, whatever may come.

Crazy in Love

The film tells the story of four raw facing different situations of life: love, heartache and endless tragicomic adventures .

Bolero de noche

Trovador seeks to write an immortal bolero, but the inspiration does not reach him. That's why the Devil appears to him and decides to make a pact: his desired bolero in exchange for his soul. Trovador accepts, and in his way will cross the Gitana, a woman with whom he will begin a passionate romance that perhaps serves him to write his song.

Django: Sangre de mi sangre

Django: En el nombre del hijo

Django: La otra cara

Based on true events, this crime drama chronicles the wanderings of the thief Orlando González -alias Django- during his brief years of glory. After spending a time in the province, Django returns to Lima with his family, trying to escape the criminal circuit. But the appearance of the woman of a dead partner will unleash Django's ambition, and his libido.

Margarita

Margarita tells the story of Rafo (Giovanni Ciccia) who is a divorced parent in his forties that lives the life of a twenty-year old bachelor. Until his adorable, determined and tween daughter, Margarita (Francisca Aronsson), knocks on his door to move in his house without notice. Rafo's life will take a chaotic and fun turn in which he will find himself and other people like Claudia (Melania Urbina), his neighbor. Margarita, with her kindness and youth, will change Rafo's life and everyone around her forever.

Trilogía Muda

A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.

Red Ink

Peru, early 2000s. Alfonso wants to be a writer, but he decides to work first as a journalist. He is assigned to the crime section of a newspaper, a job from which he can know the nasty guts of tabloid publications.