Guslagie Malanda
Acting
Biography
No biography available for Guslagie Malanda.
Born: January 1, 1990
Place of Birth: Paris, Ile-de-France, France
Known For
Case 137
Stéphanie, a police officer working for Internal Affairs, is assigned to a case involving a young man severely wounded during a tense and chaotic demonstration in Paris. While she finds no evidence of illegitimate police violence, the case takes a personal turn when she discovers the victim is from her hometown.
The Romanoffs
An anthology series centered around people who believe themselves to be the modern-day descendants of the Romanov family.
The Beast
In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.
Saint Omer
A novelist attends the trial of a woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, her own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused is gradually revealed.
My Friend Victoria
Victoria, a little black girl aged 8 from a humble background, happens to spend the night with the bourgeois family of Thomas, one of her classmates. Years later, they see each other again and Marie is the fruit of their fleeting relationship. But Victoria decides not to tell Thomas and raises her child alone. When Marie turns seven, Victoria decides that her daughter must have a better future and again turns to this family that she lost sight of long ago.
Reception!
Reception! stars acclaimed actress Guslagie Malanda as a woman named Reception who is one of the last human translators on Earth. In the wake of a storage crisis that has seen the erasure of digital memory from personal devices, Reception works in a former parliament hemicycle that has been repurposed as a data center. She receives a transmission of a woman’s intimate memory. The woman speaks in Irish Gaelic and Reception interprets her experience into French, faithfully dictating to a machine that transcribes it to history in English. In this vigorous process of receiving and transitioning the woman’s memory, Reception’s own memory escapes her and goes rogue in the showspace. In a choreographed screen ballet, the memory moves onto Reception’s personal storage devices, enforcing the link between what we hold in our bodies and what is kept in the objects we carry with us.
Filmography
as Alicia Mady
as Reception
as Poupée Kelly
as Laurence Coly
as Clotilde
as Victoria