Hazal Şenel

Don't Let Go of My Hand

The story revolves around a girl named Azra who is studying abroad in America to be a professional cook like her father. She met Cenk, the grandson of Ferida Celen, on the plane and took his bag instead of hers at the airport by mistake. Cenk who was expelled from his university in America and struggling to choose his own destiny will get to witness the huge turn in Azra's life when her father dies in a fire accident leaving her and his autistic son with his greedy wife.

Poison Ivy

Gecenin Ucunda - Adapted from Peride Celal’s best-selling novel of the same name, the drama tells the story of Macide, the daughter of a poor family, who falls in love with a married businessman. On her journey to find herself, she is tested by the greatest love of her life and by his world of wealth and power... This is, Gecenin Ucunda (At the End of the Night).

İçimdeki Fırtına

İki Yalancı

The Ottoman Republic

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.

Ayas

The story of six-year-old Ayas' adventures, a journey through his apartment filled with relatives and his fun adventures on the streets of Istanbul. The film introduces the audience to Ayas' favorite friends, his cousins Mustafa and Özgür, as well as his mother, father, and entire family, inviting them to experience traditional street culture and games.

Türk Malı

Pis Yedili

Love Tale

Masal has been in love with her boss's handsome son Akın for years, but Akın is unaware of her feelings. Akın starting to date Cansın, the company's most successful woman, is also a challenge for Masal.

Bizans Oyunları: Geym of Bizans

Fed up with South America’s heat, the Maya, lured by rumors of golden soil, migrate to Anatolia, settling near Bağcılar and blending their advanced techniques with Turkish tribal culture. Their rapid rise, however, alarms Byzantium: peace-loving Emperor Klitor III is an avid Maya admirer, but his scheming wife, Empress Klitorya V, and his brother Muhteris conspire to eliminate Klitor, then abduct all Maya women to the imperial dungeons. Their twisted plan? By “improving” Byzantine lineage with Maya genetics while the men take local wives—“only God should know loneliness”—they intend to dilute the Maya’s flawless DNA into common stock.