
Hengame Ghaziani
Acting
Biography
Hengame Ghaziani is an Iranian cinema and theater actor, singer, and translator. She has received two Crystal Simorgh awards for Best Actress at the Fajr International Film Festival.
Born: May 20, 1970
Place of Birth: Tehran, Iran
Known For

Twilight
Follows police detective Mohammad Alavi as he tries to deal with the death of his wife and daughters, and solve the case of a murdered woman.

As Simple as That
A mother and wife is on the brink of an attack. Hengameh Tahareh Ghaziani lives with her husband, her son and daughter in a middle class neighborhood, and spends his days taking care of their needs.

My Brother Khosrow
Khosrow (Shahab Hosseini) who is a bi-polar man is forced to live in his brother's house Nasser, as his guardian and sister goes abroad for a while. The brothers soon find themsleves in friction due to the challenging behavior of Khosrow and quesrionable moral decisions by Nasser.

Felicity Land
Yassi, who has doubts about Mohsen's life in common, decides to remind her of a memorable occasion. He anticipates everything in advance for the best of the party, ignoring the fact that the circumstances do not go away on his own. The film deals with betrayal in marriage.

Facing Mirrors
Rana has chosen a path in order to support her family, while Adineh (Eddie) has fled his home and city to escape his complicated situation as a transsexual man prevented from living as his true self by his family. They find themselves on the same journey and caused to know each other in a better way.

Wedlock
The renovation of a rambling family homestead becomes a metaphor for an unexpected assault on traditional family values when a newly married twenty-something brings her architect husband to draw up the plans for her aunt and uncle’s rehab job.

The father of other

Unfinished Stories
Unfinished Stories employs a structure familiar to Western indie cinema by following a set of seemingly random but interlocking episodes. Debut director Pourya Azarbayjani presents the tales of several women who spend much of the film alone on the streets of Tehran after dark – a particularly fraught place for unescorted women in a Muslim nation. The film's three primary stories each represents a different point in the cycles of courtship and childbirth. One young woman hopes to elope with her unseen fiance, but faces insurmountable problems when he doesn't show up. An older, married woman seeks to buy a pregnancy test, the results of which could dictate her marriage's fate. A new mother at a hospital resorts to drastic measures when a financial problem arises. (c) http://clatl.com/atlanta/iranian-film-today/Content?oid=1275194

Island
The island is not a place, it is an excuse for conflict between people who seek their destiny in it, and it is the basis for the efforts of those who decide to have a greater share in life; They do everything to reach the island.

Snow on a Hot Tin Roof
By the time of a famous poet's doubtful death, his last poem is found. The indication of its code would help to find out about the mysterious parts of his life and death. Any of his relatives is trying to do so in order to achieve the truth.But all these attempts will result in misunderstanding within them and with their past relationship with the poet.
Filmography
as Meymanat
as Leila Kouhi
as Mitra
as Tavoos
as Farzaneh
as Farangiz Dolatabadi (Wife of Dectective Alavai)