Herta Konrad

Das Kriminalmuseum

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Nick Knattertons Abenteuer

Nick Knatterton has the reputation of being the true master of all detectives, which is due to the fact that - like Sherlock Holmes - he can combine razor-sharp and - if necessary - strike even harder. His secretary Trudchen Taste, who not only adores her boss but also repeatedly attracts negative attention by spreading stupid stories, is a great help to him.

Ober zahlen

Vienna, 1957: Head waiters Gustav (Paul Hörbiger) and Franz (Hans Moser) are working for the stinted Cafétier Panigl and are close friiends despite of their different characters. Franz is happily married and a good family father, Gustav, a relaxed charmer, is living a calm single life. Overnight both of them become jobless, because Panigl decided to sell his Café which was not successful anymore. Right in this moment, Franz' brother is sending 20.000 Dollar from USA. Money, he once peculated and now wants to pay back.. Gustav and Franz are buying half of the Café for each from the unexpected money. One half they develop as the modern Musicbox-Espresso «Pinguin», the other half as a traditional old style Vienna Café . Misunderstandings between guests and generations are inevitable and stretch the long term friendship of the two waiters.

Von der Liebe besiegt

Hohe Tannen

Because the muse doesn't want to kiss them in the city, musicians Theo and Bert jet out into the countryside. A bell-like voice from the stables promptly catches their attention. But instead of a fair beauty, they find a dirty stable boy. Amused, they choose him as their servant. The boys have no idea that the boy is Liesel, the charcoal-burner's daughter in disguise.

Pulverschnee nach Übersee

Maibritt, the Girl from the Islands

A German businessmen is sent to Stockholm by his boss to secure an important contract, in the face of foreign competition. He discovers that the intended client has gone sailing round the Swedish islands and follows him. He becomes mixed up with a mysterious young woman named Maibritt, who eventually turns out to be the daughter of his intended client.