Hocine Choutri

Ink

Dark Night, October 17, 1961

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Six Feet Over

Sofiane, the son of a former Algerian diplomat, has travelled a lot. Having moved to Lyon for his studies, he is the victim of an administrative decision and lives under constant threat of deportation. In the hope of regularising his situation, he agrees to work for a Muslim funeral parlour. Between parties, encounters and his job, Sofiane finds himself on a journey of initiation that will lead him to build his own identity and gradually move towards adulthood.

November

In November 2015, a series of unprecedented and deadly attacks hits Paris. The anti-terrorist police led by Heloise and her chief commander Fred face an unprecedented level of pressure. In a race against the clock, they must find the perpetrators of the attacks as quickly as possible before they can strike again, travelling across Europe and beyond in one of the biggest manhunts in history.

The Passenger

Mathias Freire, a psychiatrist, and Anaïs Chatelet, a homicide squad captain are connected to each other through a series of crimes inspired by Greek Mythology. United in an investigation they will have to face one another and their own demons.

Counter Investigation

A cop investigates whether the man convicted of murdering his daughter is really guilty.

Chocolat

Chocolat the clown, the first black stage performer in France, goes from anonymity to fame after forming an unprecedented duo with fellow performer Footit in the very popular in Belle Epoque Paris. But easy money, gambling, and discrimination take their toll on their friendship and Chocolat's career.

In Praise of Love

Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.

The Crimson Rivers

Old-school police detective Pierre Niemans and his former student Camille Delaunay tackle complex, brutal murder cases.

Losing It

Roman loves Camille as much as he loves his two daughters. But he is hiding from all of them a serious problem of addiction, which could endanger his dearest. Does love have a chance to survive when trust is broken?