Hsi-Sheng Chen

A Brighter Summer Day

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

Workers

A group of construction workers daydream about being rich. They resort to countless outrageous get-rich-quick schemes only to make fools out of themselves. Despite these setbacks, the happy-go-lucky workers continue to be optimistic. Nothing will stop their pursuit of being rich beyond their wildest dreams!

Yi Yi

A Taipei family faces personal and moral uncertainty as everyday events test their relationships and sense of purpose.

The Cabbie

After falling in love with a traffic cop, a cab driver commits as many traffic violations as he can in order to see her again.

What on Earth Have I Done Wrong?!

Doze runs into many problems as he tries to secure funding for what he thinks will be the next mockumentary blockbuster.

The Fourth Portrait

Ten year-old Xiang faces a lonely future after his father dies. Just when he thinks he's going to spend his life in the orphanage, his estranged mother shows up. And his life changes forever... A loveless mother, a hateful stepfather, a chilly home. Where's Xiang heading to? He finds comfort in drawing and his work reveals his longing for care and affection. Life is full of hope again when he meets the old school janitor who doesn't show his kindness easily and a portly man who has crazy ideas and is haunted with nightmares of his brother. A scary truth is about to be unmasked. Will Xiang be able to depict his own image in the fourth portrait?

Zone Pro Site: The Moveable Feast

More than 20 years ago, there were three "Ban Dou" master chefs who dominated the catering business in Taiwan. However, the street banquet business has been in decline since Taiwan's economic boom. Master Fly Spirit wants to pass the family recipes and culinary skills on to his only child, Wan, but she desperately wants to run away from the family business and to become a film star.

Artemisia

A woman who believes she chose an unconventional path in her life is startled to find her children are stepping further beyond society's boundaries. Ai-tsao is a widow who is nearly 60 years old; her husband, over twenty years her senior, has been dead for nearly two decades, and Ai-tsao's life has settled into a comfortable routine of looking after her elderly mother and doting on her two adult children. Ai-tsao was born into a conservative and exclusionist minority family. After falling in love with a much older teacher of mainland descent, she abandoned her family and eloped. Decades later, her discovery that her son is gay and that her daughter has a black boyfriend makes her question choices in her past.

Hi Brothers

十年，再見楊德昌