Jennifer Holloway

La pietra del paragone

LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.

Falstaff

Live from Glyndebourne 2009

Humperdinck: Hansel und Gretel

As bright and colorful as penny candy, this visually arresting production of Engelbert Humperdinck's "Hansel und Gretel" puts a twist on the classic fairy tale upon which it's based by uprooting the action to modern times. Director Laurent Pelly's interpretation, which premiered at Glyndebourne in 2008, finds Hansel, Gretel and their family taking shelter in a cardboard box while the witch's stock of goodies lines the shelves of a supermarket.

Handel: Tamerlano

This majestic production of Handel's vivid tragedy, TAMERLANO, stars a Lear-like Placido Domingo as the Turkish Sultan Bajazet, caught between pride, love, and loyalty. Displaying the uniquely heroic quality of his voice, Domingo heads a superb cast, including Sara Mingardo, Monica Bacelli, and Ingela Bohlin, all magnificently responsive to Paul McCreesh's authentic and luminous musical interpretation of the score. The stunning theatrical staging by Graham Vick provides a splendid setting for the characters and for designer Richard Hudson's extravagant Baroque-Islamic costumes, emphasizing the brilliance of one of Handel's finest dramatic achievements.

Lohengrin