
Jes Tom
Acting
Biography
Jes Tom is an American comedian, actor, and writer based in New York City. Their work explores themes including sex, gender identity, and Asian American representation.
Place of Birth: San Francisco, California, USA
Known For

Ayo and Rachel are Single
Ayo Edebiri and Rachel Sennott are two best friends who are perpetually unlucky in love. Whether they're searching for available singles on the apps or trying to make connections IRL, Ayo and Rachel just can't seem to make sense of dating.

Is This Thing On?
As their marriage quietly unravels, Alex faces middle age and an impending divorce, seeking new purpose in the New York comedy scene while Tess confronts the sacrifices she made for their family—forcing them to navigate co-parenting, identity, and whether love can take a new form.

Crush
When an aspiring young artist is forced to join her high school track team, she uses it as an opportunity to pursue the girl she's been harboring a long-time crush on. But she soon finds herself falling for an unexpected teammate and discovers what real love feels like.

Hannah Gadsby's Gender Agenda
Genderqueer comics from around the world take the stage at London's Alexandra Palace in this comedy showcase hosted by the award-winning Hannah Gadsby.

Ilana Glazer Presents Comedy on Earth: NYC 2020-2021
Features different comedians who open up about their lives during the COVID-19 pandemic, doing virtual stand-up shows.

We Are Pat
Pat, the evasive, androgynous character made famous on Saturday Night Live by Julia Sweeney, was an inescapable figure in 1990s pop culture. As a child, filmmaker Ro Haber became obsessed with Pat—a character whose popularity stemmed from making others uncomfortable by defying gender norms. Decades later, and now an out trans filmmaker, Haber still grapples with Pat’s legacy. Thirty-five years after It’s Pat first aired, Haber assembles a group of queer and trans comedians, writers, and even Sweeney herself to revisit the character. Through conversation and critique, they aim not to erase Pat but to reframe them, transforming a symbol of ridicule into one of reflection and empowerment.