Joachim Trier

Directing

Biography

Joachim Trier (born 1 March 1974) is a Danish-born Norwegian filmmaker. He is best known for his Oslo trilogy which comprises the films Reprise (2006), Oslo, August 31st (2011), The Worst Person in the World (2021). For the latter film, he was nominated for the Best Original Screenplay at the 94th Academy Awards, with the film also nominated for Best International Feature. He is also known for directing Louder Than Bombs (2015), Thelma (2017), and the documentary The Other Munch (2018). In addition to an Academy Award, he has also been nominated for a BAFTA Award, two Cesar Awards, and three Cannes Film Festival Awards.

Born: March 1, 1974

Place of Birth: Copenhagen, Denmark

Known For

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Alain Resnais, the Audacious

A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.

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The Oscars

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

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The Daily Show

The World's Fakest News Team tackle the biggest stories in news, politics and pop culture.

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Room 999

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

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The Other Munch

This engrossing documentary follows the much-acclaimed Norwegian writer Karl Ove Knausgaard as he is invited to guest-curate an exhibition of paintings by Edvard Munch at Oslo’s Munch Museum. Co-director Joachim Trier appears onscreen alongside Knausgaard as they visit several key locations from the celebrated painter’s life, searching for insights into his imagination and vision as they discuss his vastly influential oeuvre, his themes and obsessions, his approach to rendering everyday things and strongly emotional scenes alike. Knausgaard’s interpretation of Munch proves to be captivatingly unorthodox, and the Trier brothers thrillingly seek to connect his thoughts about the painter to his own literary project, yielding a double portrait of two of Norway’s most essential artists. (Film Society of Lincoln Center)

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Making The Worst Person in the World

In this new program, director Joachim Trier, actors Renate Reinsve, Anders Danielsen Lie, and Herbert Nordrum, screenwriter Eskil Vogt, and sound designer Gisle Tveito discuss their passion for cinema and the conception and production of The Worst Person in the World. The interviews were shot in New York and Oslo in 2022. In English, not subtitled. (51 min). Part of the Criterion Collection home video release for THE WORST PERSON IN THE WORLD.

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Late Night with Seth Meyers

Seth Meyers, who is "Saturday Night Live's" longest serving anchor on the show's wildly popular "Weekend Update," takes over as host of NBC's "Late Night" — home to A-list celebrity guests, memorable comedy and the best in musical talent. As the Emmy Award-winning head writer for "SNL," Meyers has established a reputation for sharp wit and perfectly timed comedy, and has gained fame for his spot-on jokes and satire. Meyers takes his departure from "SNL" to his new post at "Late Night," as Jimmy Fallon moves to "The Tonight Show".

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Board Control

From 1978 to 1989 skateboarding was illegal in Norway, as the only country in the world it was not legal to sell, buy or use skateboard in this period. The film follows two generations of skaters - from the underground culture in the late 70s, with skating on secret locations in the forest around Oslo, to the commercial explosion when skating was legalized in 1989. The film says something about the Norwegian governments overprotective policy, but it also shows the paradox of how the prohibition led to a unique and creative environment.