Joan Goodfellow
Acting
Biography
Joan Goodfellow (born February 2, 1950) is an American actress and singer.
Born: February 2, 1950
Place of Birth: Wilmington, Delaware, U.S.A.
Known For
Quincy, M.E.
Los Angeles County medical examiner Quincy routinely engages in police investigations.
Death Scream
Loosely based on the true story of the killing of Kitty Genovese: A young woman's murder is witnessed by fifteen of her neighbors who do nothing to help and refuse to cooperate with the police.
Buster and Billie
Dimwitted but sweet high school girl of easy virtue and the most popular boy in the school share an improbable romance.
The Gun and the Pulpit
In the days of the "Wild West," a gunslinger, with a price on his head, discovers the body of a traveling minister who has been killed in an ambush. Fearing those who are following him, he assumes the dead minister's identity.
Lolly-Madonna XXX
In the early 1970s, a young woman passing through rural Tennessee unintentionally gets caught in a feud between two local neighboring clans, the Feathers and the Gutshalls.
Returning Home
The story of three returning World War II veterans, and how they try to cope with returning to civilian life.
Sunburn
A model and a private eye help a New York insurance investigator on a deadly case in Acapulco.
A Flash of Green
A reporter at a local Florida newspaper is torn between his friendship with a corrupt real estate developer and his love for an activist opposing the developer's latest project.
Amateur Night at the Dixie Bar and Grill
A variety of people are drawn together through their participation in an amateur talent contest in a country roadhouse.
The Oklahoma City Dolls
Susan Blakey plays Sally Jo Purkey, a factory worker who leads a rebellion among her co-workers for equal rights by forming a company football team for women and hires a down-on-his-luck coach (Eddie Albert) to make them winners.
Filmography
as Mitchie
as Michael Ann
as Joanna
as Miss Gordon
as Mrs. Daniels
as Peggy Stephenson
as Billie Jo Truluck
as Dixie
as Sister E. Gutshall
as Self