
John Musker
Writing
Biography
From Wikipedia, the free encyclopedia John Musker (born November 8, 1953) is an American animation director. Along with Ron Clements, he makes up the duo of one of the Walt Disney Animation Studio's leading director teams. Description above from the Wikipedia article John Musker, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born: November 8, 1953
Place of Birth: Chicago, Illinois, USA
Known For

Magic in the Bayou: The Making of a Princess
Featurette on the making of Disney's Princess and the Frog

Disney's Animation Magic: Treasure Planet
The making of Disney's Treasure Planet.

Pencils vs Pixels
A documentary told from the voices of the "second golden age" of animation in the 1990s and 2000s about the rise, fall and rise again of hand-drawn animation. They were trained by animation masters that created the principles of animation, they took animation to heights no one dreamed of - and then came the computer.

The Giant's Dream: The Making of the Iron Giant
A documentary about how the critically acclaimed film wound up being a box office disappointment, only to become regarded as a classic over a decade after its initial release.

The Pixar Story
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

Waking Sleeping Beauty
By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.

The Making of Aladdin: A Whole New World
Hosted by John Rhys-Davies, a made-for-TV documentary details the work that went into the production of Aladdin, Disney's musical rendition of the classic Arabian Nights' tale. Animation fans are treated to a behind-the-scenes look at the making of this family favorite, as well as to interviews with the director and cast members, who give their insights into the inspirations for the various characterizations and effects of the film, and also the efforts that were needed to bring this project to completion.

The Sweatbox
Trudie Styler, a documentarian, had been allowed to film the production of 'Kingdom of the Sun'/'The Emperor's New Groove' as part of the deal that originally brought her husband Sting to the project. As a result, Styler recorded much of the struggle, controversy, and troubles that went into making the picture on film (including when producer Fullmer called Sting to inform the pop star that his songs were being deleted from the film). Styler's completed documentary, The Sweatbox, premiered at the Toronto Film Festival on September 13, 2002. Disney owns the rights to the documentary and has not released it on home video or DVD.

Howard
Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.

Diamond in the Rough: The Making of Aladdin
The making of Disney's Aladdin
Filmography
as Self
as Himself (archive footage)
as Self
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