Josip Broz Tito
Acting
Biography
Josip Broz (7 May 1892 – 4 May 1980), commonly known as Tito, was a Yugoslav communist revolutionary and statesman, serving in various roles from 1943 until his death in 1980. During World War II, he was the leader of the Partisans, often regarded as the most effective resistance movement in occupied Europe. He also served as the president of the Socialist Federal Republic of Yugoslavia from 14 January 1953 until his death on 4 May 1980. Description above from the Wikipedia article Josip Broz Tito, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born: May 7, 1892
Place of Birth: Kumrovec, Croatia
Known For
Tito
Colleagues, friends, and other close acquaintances all give their account of the man who led strife-torn Yugoslavia from German occupation in World War II and walked her down a political tightrope for 40 years, begrudgingly gaining the respect and admiration of both the Soviet and Western superpowers.
Faith of the Century: A History of Communism
Communism spread to all of the continents of the word, lasting through four generations and over seven decades. Hundreds of millions of men and women were affected by this political system, one of the most unjust and bloodiest in history. Using newly discovered propaganda films and archival photos, these four episodes explore the mysteries of this totalitarian political machine that lured its share of important followers into the fold. Known as the red church, communism seduced its ardent followers like some earthly religion.
Jasenovac: The Cruelest Death Camp of All Times
This film tells the story about the concentration camp run by Ustashas and was made on the 40th anniversary of the inmates' escape from the camp.
Houston, We Have a Problem!
The cold war, the space race, and NASA’s moon landing are landmark events that defined an era. But they are also fodder for conspiracy theories. In Houston, We Have a Problem! filmmaker Žiga Virc adds new material to the discussion on both fronts. This intriguing docu-fiction explores the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.
Censored without Censorship
Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
Cinema Komunisto
This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.
Yugoslavia: How Ideology Moved Our Collective Body
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
Plastic Jesus
Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.
High Voltage
After WW II many young people arrive to Zagreb, among them a young worker Sonja Kacar. She is supposed to participate in the construction of the first generator in the Rade Koncar factory. Because there aren't enough experts and materials in Yugoslavia, the factory counts on help from fellow communist countries, Czechoslovakia and Soviet Union. However, after the Inform Bureau's resolution this help is no longer available. Sonja experiences a great intimate disappointment because Stjepan, who she is in love with, supports Stalin.
The Man Who Created Systems
The film analyzes the Titoist (Stalinist) rituals that were used to manipulate public opinion and the masses. In parallel, the film shows the monument of Edvard Kardelj, the main Orwellian ideologue of Titoism in the center of Ljubljana. The workers surrounding Kardelj are beings without articulated faces. Kardelj has the only human face. They all go to the so-called happy future. The monument confirms in an astonishing and perverse way that the so-called self-governing socialism produced a mass of impersonal and authoritarian individuals in the crowd, which the so-called communist elites rule unscrupulously by manipulating the feelings of the masses "about a better future".
Filmography
as Self (archive footage)
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as Himself (archive footage)
as Self (archive footage)
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as Self (archive footage)
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as Self (archive footage)
as Himself (archive footage) (uncredited)
as Himself
as Himself (archive footage)
as Himself
as Self (archive footage)
as Himself