Juan Díaz

Cosmética Terror

Catalina is a 35 years old make-up girl that works in a funeral house and dreams of being an actress. A fairy godmother appears and give her the chance to be part of her dream: Being part of her favorite soap opera: “Cosmética Horror”.

No One Could Live Here

A caustic satire of many of the 'types' found in Spanish society.

La que se avecina

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Los misterios de Laura

Fill Me with Life

An urban drama of love and marginality, drugs and falls into the abyss. This is where Josetxo San Mateo's long-distance survey begins when David, a chic who lives on the street for vocation, begins to see María. One day she decided to approach her and enter a poem that she wrote for her: Báilame el agua. She doesn't hesitate to follow him. It's not easy to live on the street: bad companies, drugs, delinquency, including prostitution, become road workers.

Cuéntame cómo pasó

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Cuéntame cómo pasó

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

November

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

The Good Life

Tristan is about to turn fifteen. He enjoys the good life his parents have built for him. And yet, it won't be long before his environment of protection, affection and comfort crumbles. From then on, he will learn the taste of loneliness, sadness and that survival is often more important than life.

Strangers on the Road

While carrying a mysterious package, Mikel notices he is being followed by a black car. In an attempt to get away, he ends up at a roadside bar where he meets Sara, a girl who doesn't trust easily.