Leonor Silveira
Acting
Biography
Leonor da Silveira Moreno e Lemos Gomes is a Portuguese film actress who made her film debut in The Cannibals for director Manoel de Oliveira in 1988. She has appeared in most of Oliveira's films since then.
Born: October 28, 1970
Place of Birth: Lisbon, Portugal
Known For
Blackpot
A reorganization within a crime syndicate.
Twin Flames
Redheaded twins Armando and Beatriz always dreamed of being firefighters but during a rainy, uneventful winter they find themselves spending less time putting out infernos than they do helping neighbors who’ve locked themselves out of their apartments. This is how Armando meets a pretty young woman with whom he begins a tentative courtship. But soon a rift grows between the siblings and, spurred by Armando’s exaggerated stories about his nascent relationship, Beatriz begins experiencing aural hallucinations that can only be remedied through music and, finally, the love of a stranger. Pinto made this impassioned fairy tale as part of a series of films about the four elements. - FilmLinc
Marcello Mastroianni: I Remember
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.
Abraham's Valley
Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.
The Cannibals
This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.
Rage
Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.
Gebo and the Shadow
Despite his age and general weariness, Gebo keeps on working as an accountant to provide for his family. He lives with his wife, Doroteia, and his daughter-in-law, Sofia, but it is the absence of João, son and husband, that worries them.Gebo seems to be hiding something, especially to Doroteia, who is anxiously waiting to see her son again. Sofia is also waiting for her husband to come home, and yet she fears him. All of a sudden, João arrives and everything changes.
I’m Going Home
The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.
A Talking Picture
A meditation on civilization. July, 2001: friends wave as a cruise ship departs Lisbon for Mediterranean ports and the Indian Ocean. On board and on day trips in Marseilles, Pompeii, Athens, Istanbul, and Cairo, a professor tells her young daughter about myth, history, religion, and wars. Men approach her; she's cool, on her way to her husband in Bombay. After Cairo, for two evenings divided by a stop in Aden, the captain charms three successful, famous (and childless) women, who talk with wit and intellect, each understanding the others' native tongue, a European union. The captain asks mother and child to join them. He gives the girl a gift. Helena sings. Life can be sweet.
Voyage to the Beginning of the World
Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.
Filmography
as Hecatinha
as Madalena
as Elisa
as Victor
as Dona Berta
as Elisa
as Elisa
as Freira
as Dona Romilda
as Magda Policarpo / Irmã Priscilla
as Júlia
as Dona do Bordel
as Mãe
as Catarina Magalhães
as Sofia
as Woman on Train
as Narrator
as Alfreda
as Rosa Maria
as Vanessa
as Vamp
as Marie
as Queen Christina
as La religieuse
as Suzy
as Fanny
as Judite
as Leonor
as Piedade
as Mulher de Preto e Branco
as Ema Cardeano Paiva
as Leonor
as Amazona
as Eva
as Tethys
as Margarida