Lety Gómez
Acting
Biography
Leticia Gómez began her theatrical training at age 15 with the Mexican-Japanese director Seki Sano. A year later, she entered the National Institute of Mexican Youth (INJUVE) with Xavier Rojas, where she studied with Gloria García. In 1954, she enrolled at the National School of Fine Arts while also attending the National Conservatory of Music, where she studied piano. She completed her studies as part of the first generation of the University Center for Theater.
Known For
Encounter
Arcelia takes care of her lifetime partner Lulu. Julian, a teenager exploring his identity, lives under the watch of his conservative mother. A sudden event will draw an unexpected path between the old couple and Julian.
The Outsiders
A couple on the verge of getting married gets mixed up with a gang of thugs in this routine crime drama that underscores the Socio-economic disparity in the Mexican culture. The upper-class couple rides along with outsiders who go club-hopping and resort to petty thievery. After their adventure, the couple questions whether or not they are right for each other.
Suffocation
After getting out of jail, where she learned to care for the sick, Alma, an albino woman, is determined to recover at any cost something much more important than her own freedom. In order to do so, Alma must spend her nights taking care of Clemente, a hypochondriac compulsively obsessed with avoiding sudden death. Their relationship moves through suspicion, fear and compassion to tenderness and love.
Charity
Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.
Beautiful Losers
A boy and a girl who have just met transport a corpse on request to the north of Mexico. When the police discover them at a routine check, they are forced to flee. Forced to team up, they will abandon their secrecy and mistrust while trying to assert his only heritage: a dead man who they only know is worth money if they manage to take him to his destination.
Martha
Martha is a 75-year old woman who lives alone in a social interest house in the outskirts of Mexico City. Martha decides to end her life. Her thrilling journey towards death, will surprisingly lead her, for the first time, to life.
Bleak Street
Two wrestlers decide to go to a hotel in order to meet two prostitutes.
Malos hábitos
Matilde is a nun convinced that faith moves mountains. She secretly begins a mystic fasting to end what she considers to be the second great flood. Elena is a thin and fashion-conscious woman ashamed of her daughter's chubbiness. She's willing to do the impossible to make her daughter Linda thin so Linda will look like a little princess on the day she receives her first communion. At the same time Elena's husband Gustavo - a professor of architecture - cannot cope with his wife's bones poking him during intimate moments so he turns his attention to a buxom female student with a hearty appetite.
All of Them Witches
Something strange is going on in Dolores' apartment house--or is it mainly in Dolores' head that the strangeness lies... When her best friend Eva is murdered on her doorstep, and her husband begins to have violent nightmares, it appears that there is definately something amiss in the world of delusional Dolores.
Honest Days
When she is fired from her only job in a series of infomercials, Amanda, an actress with little talent and whose film career is forgotten, decides to resume her career in the midst of an economic crisis that leads her to a questionnaire about her vocation, but also, that the shore to rethink its responsibility as the mother of Nicolás, a 7-year-old boy to whom she had not paid much attention until then.
Filmography
as Dueña de la Fonda
as Doña Pilar
as Lulú
as Yola (abuela)
as Lety
as Begger old lady
as Doña Pina
as Sonia
as Amparo
as Anciana
as Vecina
as Lupe 'Magda'