Lorna Ishema

No Hit Wonder

Daniel is a singer who became famous overnight thanks to one song. But for the aspiring artist, the dream of fame was short-lived: his song turned out to be a one-hit wonder, and Daniel fell into a deep depression when his subsequent songs failed to connect with audiences. Daniel soon finds himself with few options left – he wants to end his life. However, his suicide attempt fails and he ends up in a secure psychiatric ward. He is allowed to leave on one condition: he must use his music to make a group of depressed people happy.

Die Kinderschwindlerin

In order to get her dream apartment, party-loving Nina has to score points with a particularly family-friendly landlord. To do this, she borrows her sister's kids without further ado.

Stefan Zweig: Farewell to Europe

Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.

Breaking Even

Paradise

A man sees the dark side of the time-manipulating biotech company he works for when a crushing debt forces his wife to give up 40 years of her own life.

The Mallorca Files

Amongst the vibrant international community of the eponymous Spanish island, a British and a German detective with very different approaches to policing have a clash of personalities. Despite - or perhaps because of - their very different approaches, the sleuths form a perfect complementary partnership as they seek to solve a new crime on the island each week.

Polizeiruf 110

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Nachtschicht

Letzte Spur Berlin

Aren't You Happy?

A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.