
Louise Lagrange
Acting
Biography
No biography available for Louise Lagrange.
Born: August 19, 1898
Place of Birth: Oran, France [now Algeria]
Known For

In the Shadow of the Harem
An emir wants revenge on a secretary who posed as a rival to a beautiful woman. He holds in his palace which refers to himself as a trap, the wife of the secretary, and thinks of becoming her lover. The charm and nobility of the young woman end up softening the emir. He bows, returns her to her husband, and forgives the beauty.

The Vampires or, The Arch Criminals of Paris
Paris is prey to an invisible terror against which the police can do nothing: a sinister organization that sows chaos and death. The intrepid journalist Philippe Guérande and his partner embark on a long crusade to put an end to the crimes of the Great Vampire and Irma Vep, his dangerous accomplice. (A ten episode movie serial.)

Adhémar or the Toy of Destiny
Is it because his father was a groom that Adhémar Pomme has a long horse head and a horse- toothed smile? Maybe but the fact is that his head has invariably caused laughter whatever the circumstances, which is the tragedy of his life. After having worked as an undertaker, a theater prompter, a casino bouncer, and so on, and failing at each job, he applies out of desperation to an institution where those rejected for physical reasons can hide and live together. But Adhémar immediately starts... laughing at them and gets kicked out as a result! In the end though, he finds his way as a circus artist.

The Roman Orgy
The tyrant Emperor Heliogabalus lives a life of debauchery and set lions loose among his guests.

Cinderella or The Glass Slipper
Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

Cinderella
This is a compact telling of the Cinderella fairy tale and the film is elaborately staged.

Mothers of France
A mother loses first her son and then her husband in the trenches of France during the First World War. She devotes herself to the French cause and to helping those wounded in the war.

The bat

Le Ruisseau
A famous painter loves Madeleine Granval, a rich and divorced society woman, who cheats on him. To console himself, he goes to Montmartre where he meets Denise Fleury, a young woman who has fallen into poverty.

Le défenseur
A wealthy financier fatally wounds himself while handling a dagger. Before dying, he leaves a private letter to his lawyer accusing his wife. It is the financier's son who becomes the suspect. In love with the young woman, the lawyer is torn between duty and love.
Filmography
as La veuve de Paul-Emile Racu (uncredited)
as Alice Baudoin
as Louise
as Jacqueline
as Lona, sa femme
as Annette Rollan
as Renée de Pernois
as Denise Flory
as Simone de Montfort
as Luicha Irrigoyen
as Lolette
as Elodie
as Noëlle d'Horgans
as Marie Lebroux
as Jeanne Guérande
as Cendrillon
as Cendrillon