
Lucinda Childs
Crew
Biography
Lucinda Childs is an American postmodern dancer/choreographer and actress. Her compositions are known for their minimalistic movements yet complex transitions.
Born: June 26, 1940
Place of Birth: New York, New York, U.S.A.
Known For

Einstein on the Beach: The Changing Image of Opera
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

Andy Warhol Screen Tests
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

Adam's Passion
Adam’s Passion is the moving first collaboration between two “masters of slow motion who harmonize perfectly with each other” (Frankfurter Allgemeine Zeitung). In the spectacular setting of a former submarine factory, American director and universal artist Robert Wilson creates a poetic visual world in which the mystical musical language of the Estonian composer Arvo Pärt can cast its meditative spell. Three of Pärt’s major works – Adam’s Lament, Tabula rasa, and Miserere, as well as Sequentia, a new work composed especially for this production – are brought together here using light, space, and movement to create a tightly-woven Gesamtkunstwerk in which the artistic visions of these two great artists mirror each other.

Regarding Susan Sontag
An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.

Video 50
Produced in an era before 24-hour programming cycles, Video 50 was initially used as a late night filler on TV stations in Germany, France, Belgium, and Switzerland. Random, surreal, and unexpected, Video 50 resembles the dream cycle of a dormant TV station after it conscious programming has ceased. Its structure and form anticipate the dissociated sequence of moving images we are now accustomed to encountering on YouTube and social media.

21:12 Piano Bar
Florence is found dead and mutilated. When Nathalie hears about this in the bar where she plays piano she becomes interested. She tries to get in touch with the people who knew Florence closely. Eventually she gets them to talk about Florence's destructiveness. About her deviant pleasure in hurting and injuring herself.

Manual of Arms
In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary activities.
![Backdrop for Screen Test [ST53]: Lucinda Childs Backdrop for Screen Test [ST53]: Lucinda Childs](https://image.tmdb.org/t/p/w780/6ZfRvOWbXmCn2IyqheYxd0CKNG5.jpg)
Screen Test [ST53]: Lucinda Childs
One of two(?) 1964 screen tests of Childs. Runs 4 minutes, 24 seconds in length
![Backdrop for Screen Test [ST52] Lucinda Childs Backdrop for Screen Test [ST52] Lucinda Childs](https://image.tmdb.org/t/p/w780/wgzeSUigcuhbZN9jzrxIfddVUF0.jpg)
Screen Test [ST52] Lucinda Childs
One of two(?) 1964 screen tests of Childs. Runs 4 minutes, 30 seconds in length.

Shoulder
According to the first volume of the Andy Warhol film cat. rais., the film was probably shot on the same day as Jill Johnston Dancing. In the Stephen Koch filmography, Shoulder is listed as: "16mm, 4 minutes, B/W, silent, 16 fps. Filmed summer, 1964. Lucinda Childs' shoulder."
Filmography
as Woman
as Self
as Self
as choreographer (herself)
as Nathalie
as Self
as Shoulder
as Herself
as Herself