Luisa Martínez

No One Could Live Here

A caustic satire of many of the 'types' found in Spanish society.

La que se avecina

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

The Countryside

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

Cuéntame cómo pasó

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Autopsy

Daniel Casares is a middle-aged journalist who is forced to take charge of the events section of the newspaper where he works. After wing appearance of two bodies in similar circumstances decides to start an investigation that, little by little, you will be introduced into the dangerous world of snuff films.

Paradiso

The “Duque de Alba” is the last adult movie theatre remaining in Madrid. Rafael, the projectionist, works hard every day in order to make the place tidier. He hand-paints the movie posters himself, he puts flowers and houseplants around, he fits out the entrance… Even though pornography is mostly consumed online, the theatre works due to a fixed clientele. The “Duque de Alba” is, indeed, more than just an adult movie theatre: it is a shelter, a refuge. Yet Rafael has to face a new problem now: Luisa, the ticket clerk with whom he’s worked with for more than thirty years, the only one who helps him make the theatre a better place, is about to retire.

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