Lyudmila Semyonova
Acting
Biography
No biography available for Lyudmila Semyonova.
Born: February 17, 1899
Place of Birth: St. Petersburg - Russia
Known For
My Motherland
In 1929, the Chinese are preparing an attack on the CER, recruiting soldiers to their gang. Among them there is a resident of a lodging house Van. Having recovered after a sudden attack on a Soviet border village, the Red Army squad goes on the offensive. Wang is among the prisoners. Wang and another prisoner go on the run. But on the road between the fugitives there is a conflict and young Chinese Wang begins to realize who his true enemy is...
The Steamroller and the Violin
Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.
My Son
A man discovers that he's not the father of his wife's baby.
Bed and Sofa
Life changes for a Moscow couple after they allow an old friend of the husband’s to move in.
The New Babylon
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.
Fragment of an Empire
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
The Devil's Wheel
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.
The Club of the Big Deed
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.
The Girls Sowed Flax
The manager of the Belarusian collective farm Naideika Krasovich, inspired by the award at the All-Union Agricultural Exhibition for the high flax harvest, gives her word to double the harvest. Many fellow villagers doubt her success, and only Grigory Pavlovich, the new director of MTS, who left his family in the city and came to the village at the call of the party, provides Nadeika with all kinds of support and excessive attention, because he loves and, it seems, is loved. In parallel to this story, a plot develops about the love of the tractor driver Zosya for the forester Yanka, who unrequitedly suffers for Nadeyka.
Jubilee
The bank is preparing to solemnly celebrate the 15th anniversary of the institution. And at that moment, two events took place that turned everything upside down.
Filmography
as Butyrlina
as teacher
as Larisa Ivanovna
as Lyudmila
as Varvava
as Fenka, cabaret artist
as Filimonov's wife
as Tavern owner
as (uncredited)
as Sidorov's wife
as Neighbor of the Surins
as Lady at the gambling house
as Lyudmila Semyonova, wife
as Valya
as Resistance member