Ma Hsiao-Nung
Acting
Biography
No biography available for Ma Hsiao-Nung.
Known For
The Adulteress
The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.
Father Takes a Bride
A young lady has taken the place of caring for her two younger brothers since the death of their mother. She is content with putting her life on hold whilst she cares for them until one day...
The Wild, Wild Rose
Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.
A Beggar's Daughter
This is an adaptation of the folk story, “Jin Yu Nu beats her heartless groom with a cane”. Jin Yu Nu, a beggar’s daughter, is a beautiful and kind girl. On a snowy day she saves the life of a poor scholar, Mo Ji. When Mo recovers, he marries Jin with love and gratitude. Mo wins the third place in the imperial examinations, but now he is looked down upon because his wife is a beggar's daughter. Extremely embarrassed and ashamed, Mo wants to divorce but has no excuse. Jin then jumps into the river and Mo has deep regrets but it is too late. Later, Mo’s senior Ambassador Lin appreciates his talents and wants to marry him his daughter. On the wedding night, the bride orders Mo to kneel in her room and beats him hard with a cane. Not until then does Mo know his bride is actually Jin, who has been saved by Lin. At the end, Lin knows Jin still loves Mo and helps the couple reunite.
The Dream of the Red Chamber
The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.
Sun, Moon and Star: Part 1
The film traces the relationships that develop between the protagonist Xu and the three women he meets, set against the backdrop of the Second World War.
The Bride Napping
The romance of a squire's daughter and a poor but refined scholar is thwarted when a loutish bandit is mistaken for the scholar by a confused servant and is given the idea that the daughter's hand in marriage is his for the asking. Rich in cross-dressing, mistaken identities, and reversals of gender roles, the film playfully subverts traditional Confucian values.
Lady Jade Locket
Love knows no limits in the grand period romance, Lady Jade Locket. A young fighter inadvertently falls for the spirit of a beautiful woman, who died years earlier avenging her own father's murder. The beautiful ghost is in fact the sister of his fiancee. Experienced as an actor in many such romances, director Yen Chuan keeps the tone perfect. Plus, with period specialist Li Li-hua in the lead and the attractive and acclaimed Li Ching playing the ghost girl, he really can do no wrong.
The Monkey Goes West
THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.
Fairy, Ghost, Vixen
FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.
Filmography
as Ms. Tong's Nanny
as Grandma Lin
as Ling's mother
as Fortune teller
as Ching Yu's mother
as Fen's nanny
as King Dai's mother
as Mrs Wen
as Cho-Ming's mother
as Luo Shao-Hua's Mother
as Mrs Ma
as Yulang's nanny
as Landlady
as Seventh Aunt
as Uncle's Mother
as Mother Peng
as Jinling Xue Yima
as Squire's wife
as Mother Tao
as Jianbai's mother
as Chien-Pai's mother
as Mother Ye
as Chen Man's mother
as Miss Ma
as Maid Ah Yin
as Maid Cheung Ma
as Old Wang's wife
as Landlord's Wife
as Ta Nien's Mother
as Mother Chen