
Ma Siu-Ying
Acting
Biography
Siu-Ying Ma was born in 1908 in Guangdong, China. She is an actress, known for Fu ma yan shi (1958), Wei cheng jian die (1955) and Ye diao bai fu rong (1956).
Born: February 4, 1908
Known For

Games Gamblers Play
Michael Hui stars as Wen, a convict who's always out to make a quick dollar through gambling. Being behind bars doesn't stop him from making something off of his gambling skills. Samuel Hui co-stars as Chieh,a novice gambler who gets into trouble one day when he tries to steal casino chips from a crooked card dealer Dean Shek). Whilst in jail, Chieh meets Wen and the latter agrees to become his mentor. Can Wen and Chieh make a fortune from their combined skills or will the duo wind up back in prison?

The Golden Sword
Bai Yu Lung's father mysteriously disappears one night, and for 10 years Bai searches for him in vain. Finally, he decides to head to the far northern part of the country with the hope that he can find a clue in that region. There, he falls in love with a beggar (Cheng Pei-pei) and they continue the search together.

Ghost Eyes
Ghost Eyes concerns a female hair stylist who is seduced by the vampiric ghost of a former optometrist. Using supernatural contact lenses to control her mind, he gradually drains her life essence as she is forced to find new victims until tries to make a stand and rid herself of this terror once and for all.

Fearful Interlude
Accompanied by his old manservant, scholar Sung Li Ho (Hong Hoi) is on his way to the capital for the imperial exam. They spend a night in the house of Mrs. Yuan and Li Ho takes a fancy to her pretty daughter, Pei Fang (Dana). Li Ho is discovered by a maid peeping at Pei Fang as she takes a bath. He slips and falls into the bathtub, creating a most embarrassing situation. His old servant is also implicated and both are beaten up before being thrown out. Continuing their journey in the desolate countryside, they come across woodcutter Hsi Hsueh Kuei who puts them up for the night. Captivated by the beauty of the owner’s two daughters, who are vampires, he spends a night with them and turns into a skeleton. Chased by the vampires, Shun Lai makes a narrow escape.

The Story of a Discharged Prisoner
Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

River of Tears
Mysterious songstress Fang Biyu is loved by two brothers, Qiwei and Qijun. After freeing herself from the clutches of gangsters, she gives her heart to Qiwei. Tragedy comes knocking on the door when one of the gangsters comes out of prison, and Qiwei dies in a car accident. Blamed for her husband's death, Biyu is forced to go back to singing to make a living, but hopes to reunite with her son and return to the family one day.

A Time for Love
A Time For Love features Shaw Brothers' darling Lily Ho in a Romeo and Juliet stylized love story that breaks the tradition of Hong Kong's "class distinction" love stories. It is a film ending with a Cinderella-esque love saving happiness happy ever other ending.

The Natural Son
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

The Black Killer
A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

The Diary of a Husband
The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.
Filmography
as (segment "The Cold Skeleton")
as Ah Wei's Mother
as Blackjack Gambler
as Old Lau's wife
as Member of Dragon Palace
as Chen Qiu Ting's mother
as David's mother
as Mother
as Wedding Guest
as Mrs. Yan
as Old Aunt
as Poon's wife
as Bat Tai, maid
as Mrs. Poon
as Mrs Cheung
as Witch
as Auntie Luk/ Sixth Aunt
as auntie
as Mok's mother
as Opera Trainer
as Aunt
as Wan-Fung's mother
as Tin's mother