Marco Mendonça

We Won't Dine

Within a peculiar family drama, Inês finds peace in pain. While getting evicted by her landlord and dealing with her grandfather’s loneliness and dementia, she finds comfort in the imaginary figure of her deceased father.

Blackpot

A reorganization within a crime syndicate.

A Impostora

An airplane disappears mysteriously; on board was Verónica, the twin sister of Vitória, the victim of a fraud by a millionaire. Presumed dead, Verónica assumes the identity of her sister and plans to avenge herself on the entrepreneur's family.

Frágil

An actress without a job, an artist who struggles to paint and a marketing student from Coimbra. These three young women together, their financial difficulties and existential doubts. Living on a small apartment in Lisbon, they see themselves as allies (most of the time) on the great battle of building their lives. They must share their personal space, food, issues and all kind of awkward situations that life brings upon them.

The Medalists

The trail of clues that thickens the plot... Diana is a promising national athlete. After dropping out of the High-Performance Center (CAR) a year ago, she is now back to the place where she’ll reconnect with her brother Sérgio a high-ranking Judo player. Diana dreams of following her brother’s footsteps, whom she sees as an idol, and win a spot at the Olympics, but an accident puts Sérgio in a coma. Aside from trying to reach her Olympic goals, Diana is now driven to find out what made her brother be put between life and death. Despite the police report stating that the accident was blameless and unexpected, Diana will follow the clues that will lead her to believe that her brother might have been the victim of attempted murder.

Damned Summer

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

The Great Mystical Circus

The story of five generations of the Austrian-Brazilian Knieps family, from the inauguration of their family-owned Great Mystical Circus in the 1910s up to the early 21st century, following both the family and the circus from their prime through to their decadence.

Dialogues After the End

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

Heart & Soul

Túnel de Babel