Marta Malone

Adiós Madrid

Ramiro makes a quick trip to Madrid to decide about the life of his father, who is in a coma and with whom he has never had much of a relationship.

La que se avecina

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

The Countryside

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

Cuéntame cómo pasó

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Madres: amor y vida

20 Centimeters

Colloquially-told story of a few days in the life of Marieta, who's saving money for the last operation in her change from man to woman. She works as a prostitute in Madrid and longs for a legitimate job. Whenever she builds up her savings, her housemate and best friend Tomás finds ways to spend, lose, or cost her those funds. She meets Raúl, whom she likes and who likes her; the trouble is he also likes that part of her she wants removed. If that's not enough, she also has narcolepsy, and when she conks out, she dreams of musical-theater numbers in which she's the singing and dancing star. Are these dreams always going to be 20 centimeters out of reach?