Mathilde Danegger
Acting
Biography
No biography available for Mathilde Danegger.
Born: August 2, 1903
Known For
As Long as There’s Life in Me
This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.
Sergeant Studer
A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.
The Abused Love Letters
While on a longer business trip, a wannabe poet urges his beautiful but more simple wife to answer his overly swollen love letters. With no idea how to respond she forwards the letters to a new young school teacher to use his answers instead...
The Small White Mouse
„White mouse“ Fritz controls the traffic on Dresden’s Körner Square. Helene, who crosses the junction on her motor scooter every day, has taken a shine to Fritz a long while ago. Although Fritz yields right-of-way to her remarkably often, the two have not spoken to each other. In order to finally get to know him better, Helene deliberately performs a traffic violation. Her plan is working: She is ordered to take road safety education lessons from Fritz and they get closer. New problems arise in the shape of Mrs. Messmer who must pay a monetary fine. She feels discriminated against by Fritz and complains about him to his supervisor.
Polizeiruf 110
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
Polizeiruf 110
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
Polizeiruf 110
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
Lissy
In 1930s Berlin, a woman’s life unravels as her unemployed husband succumbs to Nazi propaganda and joins the Storm Troopers, while her brother's anti-Nazi stance leads to his death, prompting her to confront her beliefs and make a risky choice.
Madness Rules
If any one man is responsible for the rejuvenation of the postwar Swiss film industry, that man was director Leopold Lindtberg. Matto Regiert (Madness Rules) was co-adapted for the screen by Lindtberg from a novel by Friedrich Glauser. Heinrich Gretler stars as Police Constable Studer, the hero of several of Glauser's most popular works. This time, Studer must solve the murder of the director of an insane asylum -- and it's not (surprise, surprise) the most likely suspect, manic-depressive patient Herbert Caplaun. For box-office purposes, Matto Regiert stresses a romantic subplot involving Caplaun and nurse Irma Wasem.
Marie-Louise
The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn't easy.
Filmography
as Urgroßmutter
as Clara Hülsenbeck
as Oma
as Frau Mauser
as Frau Kröpelin
as Frau Dengler
as Fürstin
as Hans Gastl's Grandmother
as Babka
as Frau Sonnenberg
as Frau Malewski
as Seine Frau
as Mary
as Mutter Hirsch
as Frau Holle
as Piepels Oma
as Narrator (voice)
as Großmutter
as Frau Fiedler
as Mutter Friedrich
as Lieschen
as Lieschen Schliffke
as (voice)
as (voice)
as Sprecherin
as Dr. med. Spühler
as Päuli
as Baberli
as Mrs. Baumann
as Kätter Ambach
as Frau Hofmann
as Sophie
as Jeanne Vandeau
as Gabrielle Racton