Maurice Beaupré

Les 90 Jours

The Luck of Ginger Coffey

An out-of-work Irish immigrant in Montreal remains hopeful that his luck is about to change but his disillusioned family grow tired of his pigheadedness and instability.

The True Nature of Bernadette

Bernadette has a yen to chuck it all and go back to nature, in this French-language Canadian film. That's just what she does after carefully leaving her wedding ring where her affluent husband, a lawyer, can see it. She has bought a farm, complete with a run-down farmhouse and a live-in cranky old man. Soon, because of the wonderful effects that her sympathy and her outsider's perspective have, her neighbors perceive great improvements in their lives. They attribute these changes to something miraculous (perhaps taking a cue from her name), and hordes of needy people descend on her farm.

Rope Around the Neck

A misfit desperately looking for the murderer who has just killed his wife.

Rue des Pignons

Rue des Pignons was a French-Canadian TV series which ran from 1966 to 1977. Radio-Canada has reportedly lost most of the episodes of the series, only managing to trace about 35 of the 427 episodes from 1966 to 1977. The program's theme song was composed and recorded by Pierre Brabant who also played much of the show's background music.

La Petite Patrie

La Petite patrie was a French Canadian television programme from Quebec. It was broadcast between 1974 and 1976. This television serial of Claude Jasmin told the life of a district of Montreal formed by the quadrilateral of the streets Saint-Denis, Beaubien, St-Hubert and Bélanger the shortly after the war. The main character and narrator of this television serial was Clément Germain, adolescent of 17 years who lived in this district with his family. Through the memories of Clément, viewers discovered this neighborhood during the years of Duplessis; with its trams, its ice deliverymen, its guénillou and its anglophone Chinese launderer among others. At that time, bread cost 5 cents, Maurice Richard was at the peak of his glory and the Rivoli theatre had not yet been replaced by a Jean-Coutu.