Mehtap Ar
Acting
Biography
No biography available for Mehtap Ar.
Born: April 6, 1957
Place of Birth: Istanbul, Turkey
Known For
Evcilik Oyunu
A young man is in the process of breaking up with his wife. However, his boss visits the homes of his employees and aims to give a promotion to the one whose home life he is happy with. So the young man receives compensation from a barmaid he helped and they start playing house to convince the boss.
Ayrı Dünyalar
Kemal is a casino owner, Tayyar is after his casino. Asli goes to a boarding-school, her granny is a flower seller from whom Kemal always buys some. Asli's father is in jail. One day Kemal hits Asli with his car, they become friends. She wants him to come to the school party, introducing him as her father. Tayyar's assassin shoots Kemal, Asli nurses him as he is released from hospital. They feel close to each other, yet Kemal wants her to stay away from the mafia world, he finds out that Asli is Fatma's grandchild. Fatma tells her that Kemal is married and has children. Tayyar kidnaps Asli, he asks Kemal for his casino to set her free. Kemal meets Tayyar, a volley starts and Kemal gets fatally wounded. Asli and Kemal loved each other, unfortunately Kemal dies.
Firefly
The road runner movie of two clever cheaters turns to a love story.
Women's Ward
Murat is a charismatic political prisoner in Malatya. He is well respected by both inmates and prison officers. There he meets two women: Tozey, a famous prostitute, and Hanim, a defenseless woman accused of murdering her husband.
Windfall
This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.
Let It Be
Ferit who works as a reporter on a newspaper, makes fake news about the olive oil king Hulusi. One day he writes that he adds machine oils to his oils, another day he writes that his daughter Alev hangs up with men and prints her photos. Actually the married man seen in the photos is Alev's cousin.
Darbe
The film tells the story of two old friends, Ahmet and Kemal, who work together to solve a murder. Ahmet, nicknamed "Baba," makes a living as an accountant. His son Ali, who works as a laborer at the same factory, is a union member. The factory manager pressures Ahmet to convince his son to leave the union. During a strike that breaks out at the factory, Ali is killed. Ahmet seeks help from Kemal, a businessman and his army buddy, to find his son's killer. Throughout this process, both Kemal and Ahmet begin to question their own lives.
Beş Milyoncuk Borç Verir misin
Zeki and Metin are two friends who work at the same place and share the same house. They also have a friend named Nuri who is always drunk. One day, Zeki and Metin play a game of chance and win the jackpot. However, Nuri has sold the jacket with the ticket in it to a secondhand dealer. The two friends set out to find the jacket.
Gırgıriye'de Cümbüş
Another story of Gırgıriye Neighbourhood. Güllü, her mother Sabahat, her uncle Bekir, Bayram, her father Emin, her sister Sevim, and her aunt Rabiş. Sabahat has completely lost her mind over money. They pool their earnings in a shared purse, and if anyone takes even three cents from it, she will gouge out their eyes. However, once the drums and flutes start playing, they stop fighting and start dancing... The Gypsy women are very troubled by their husbands... Bayram, Güllü's husband, is useless except for chasing after women, Sabahat's husband Münir is useless except for drinking himself into a stupor in taverns, and Bekir is useless except for gambling away their money. Güllü also has her share of admirers. Especially the boss, Deli Ömer, is deeply infatuated with her. One day, Sabahat loses her temper and kicks Münir, Bayram, Sevim, and Rabiş out of the house.
Görgüsüzler
Pervin lives with her daughter Gül. The mother and daughter deceive the shopkeepers they owe money to, claiming that they inherited their wealth from their grandfathers, and live on credit.
Filmography
as Terzi Melahat
as Kıvırcık
as Kader
as Esin
as Sevim
as Prisoner
as Linda
as Karadayı'nın Sevgilisi
as Hülya
as Hayat Kadını
as Dansçı
as Hippi