Miguel Arribas

Curro Jiménez

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez

The Dog in the Manger

Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

The 13 Roses

True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940s. Despite of their innocence, the thirteen were soon executed without even a trace of evidence of any wrong doing.

The Color of the Clouds

Clementina befriends Lola’s nerdy lawyer, Valerio, and slowly a romance develops between them. Meanwhile, old fisherman and model-maker Colo has found a consignment of drugs floating in the sea and tries to get rid of them to raise money to save Lola’s house. The adventure element of pic is in a smuggling gang’s attempt to recover the drugs.

Werther

This adaptation of Geothe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface.

Dos mejor que uno

Rafa and Jeromo are a curious couple of friends. Their friendship began in childhood as well as his love for Silvia, which have been in love since childhood. Silvia Jeromo elected, and Rafa decided to disappear. Years later he returns and finds that the couple is experiencing a serious emotional crisis...

How to Be a Woman and Not Die in the Attempt

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

Paper Tigers

Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.

África

Martín (Zoe Berriatúa) is a teenager living in the San Blas district of Madrid. He is upset with his father Arturo (Imanol Arias) because he blames him for his mother's death. With the help of his girlfriend África (Elena Anaya), who will become his stepsister, he tries to get revenge on him.

Mortal Sin