
Mihály Víg
Sound
Biography
Mihály Víg is a Hungarian composer, poet, songwriter, guitarist and singer; co-founder of bands Trabant (1980–1986) and Balaton (1979–present), also known for musical and acting collaborations with film director Béla Tarr on films including Damnation, Sátántangó (where he also played the lead role), Werckmeister Harmonies, The Man from London and The Turin Horse.
Born: September 21, 1957
Place of Birth: Budapest, Hungary
Known For

Satantango
Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

Tejutcagyerek
János Baksa-Soós, aka Prince January. A man who influenced those who influenced us. “Sometimes you have to make time for a whole life!” he said. He did, and we explored his incredible life. Starting from Zoltán Kodály, we fly over downtown KEX concerts, dive into the deepest recesses of Berlin punk and end up who knows where. Somewhere in the cosmos.

Tarr Béla: I Used to Be a Filmmaker
A documentary about the making of The Turin Horse, the last film directed by Hungarian master Béla Tarr.

There Was a Tower: A Portrait of Mihály Víg
In socialist Hungary, during the early 1980s, underground art flourished. In this often loud, heroic, and emotion-rich world, Vig Mihály, a key member of Balaton/Trabant, represented lyricism, intimacy, and internal journeys. He composed music for the films of János Xantus, András Szirtes, and Ildikó Szabó, and later became the regular composer for the world-renowned director Béla Tarr (and was even given a lead role in the 1994 film Sátántangó). In the documentary film, he speaks about his life, the atmosphere of the era, people associated with alternative culture, and his relationship with them, in an extremely personal and detailed way. We learn his thoughts on literature, music, film, and, in general, the world. He is a relaxed, funny character who is aware of his own limitations, does not deny the darker sides of his personality, but is able to look at his fate with satisfaction.

Journey on the Plain
Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short lyric poems by Hungary's national poet Sándor Petofi.

Forest: I See You Everywhere
The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'

The Last Boat
The last ship (Utolsó hajó) is leaving the quay. Sirens are sounding.

Ex-Codex
A surrealistic-grotesque vision about the unlimited adventures of human mind in space and time.
Filmography
as Self
as Himself
as Irimiás