Natalya Ryazantseva

I Am Twenty

Having returned from the army, 20-year-old Sergei settles down at the thermal power station and merges into ordinary life. Every day he meets and spends time with childhood friends — the young family man Slava and the merry fellow Nikolai, and once at first sight he falls in love with a stranger on the bus. A lyrical story about a generation of young people entering adulthood, a reappraisal of values, life principles, traditions in culture and art.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

ВГИК100. Признание в любви

Kira

Film about the work of Ukrainian film director Kira Muratova.

Gennady Shpalikov. Life Of A Charming Man

Gennady Shpalikov. He was 25 when he offered George Danelia a script for the future film “I walk through Moscow”. At this time, Shpalikov was already finishing the script for Ilyich's Outpost for Marlen Khutsiyev! Both of these films will be called the manifesto of the generation of the sixties, the symbols of the era called "thaw". All his life he had dreamed of “The Quay” ... This script was his favorite work. But “Berth” was never staged "..." "There is no choice in the USSR. Or you drink, or you freak out, or you are not printed. The fourth is not given.

Furtively About Kira

In VGIK, she was a student of the workshop of Sergei Gerasimov and Tamara Makarova, and watched Godard's "Last Breath" and thought, nothing more is needed. Everything is already there. But, in the end, without her, without her 22 films, the history of world cinema would be incomplete. In our country, her name has become one of the undisputed geniuses-Tarkovsky, Parajanov, Herman, Sokurov. The brilliant Kira Muratova looks at a person with irony, as if from a distance and from above, as if at a funny puppet theater, but her gaze is full of sympathy. It divides artists into two categories: preachers and gamblers. Of course, he considers himself one of the latter. Chance is her muse. Improvisation is a feature of the method. And what is life but improvisation? In contrast to Rene Clair with his phrase " my film is ready. It remains only to remove it", goes to the set, opening up to life, the game of chance.