Pedro Beltrán

The Executioner

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

The Rocket from Calabuch

Professor Hamilton, a naive Nuclear scientist who once thought bombs were good for humanity, realizes his mistake and runs away from his inventions. He hides in Calabuch, a beautiful seaside town where people still believe in humor and friendship.

National Heritage

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.

Streetcar for Sale

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

El pícaro

Miracles of Thursday

In Fontecilla, a Spanish village in decline, the mayor and other illustrious citizens hatch a crazy plan to revitalize tourism.

The Heifer

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

Death and the Lumberjack

An organ grinder called “El Rubio” has the crank of his street organ confiscated because he did not have his identification papers in order. From then on, a journey full of misfortune begins in which he tries hard to find a crank like the impounded one, to allow him to work again.

El inquilino

One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.

El hincha

A passionate football player complicates the life of his family driven by his passion. Enthusiastic, fanatic, and passionate, the fervor of football runs through the blood of the main character as if it were a matter of life and death. Raised in an atmosphere of football art supporters, the young man organizes his life around this sport. The comedy is understood as a portrait of the world of football, from the point of view of day to day that passes the protagonist fan.