Pedro Gracindo

Rota de Fuga

Manuela reports her husband to the federal police and enters the witness protection program. When he goes to prison, she leaves everything and tries to escape to Europe before he is released.

The Miracles of Jesus

The struggles biblical characters are confronted with.

Pixinguinha, an Affectionate Man

The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.

Death Inhabits at Night

Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.

How Do You See Me?

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

Sultry

Rio de Janeiro, 2016: the city simmers in anticipation of the Olympic Games. Lawyer Ana defends the interests of residents of homes to be replaced by stadiums, roads and luxury hotels. Is the heat affecting her perception or is the struggle becoming visible on her skin?

All These Days When I'm Foreign

Two northeastern brothers live and work as waiters in Baixada Fluminense. The duo tries to balance themselves in an underworld permeated by financial difficulties, prostitution and urban violence. Antônio feels out of place.

The Phone Next Door

A lonely woman takes up the habit of breaking into her neighbor's apartment, when he's out, to answer his phone.

Clandestinos: O Sonho Começou