Peggy Parnass

Das Kriminalmuseum

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Stahlnetz

Stahlnetz is a German television series.

NDR Talk Show

Nobody Loves Me

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?

Boulevard Bio

Panic Time

The musician Udo Lindenberg (played by himself) is kidnapped during the party after a concert. Nobody realises this until the next day, when he doesn't show up in time for a rehearsal. Since the police believes this is only a promotion gag, private eye Kuhlmann (also played by Udo Lindenberg) has to be hired to find him in time.

Love Is the Beginning of All Terror

Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.

Von Richtern und anderen Sympathisanten

September 1943: the Special Court of Oldenburg pronounces a verdict against an office courier. The man was found guilty of absconding two bars of soap and a tin of shoe polish. As a dangerous public enemy, he is sentenced to death. More than 16,000 death sentences were passed by the Special Court and the People's Court during the Nazi era. And the judges and state prosecutors who perpetrated these injustices were back on the bench after 1945. Peggy Parnass, a Jewish journalist and a relative of victims of Nazi injustices, experienced this continuity and described many of its ramifications in more than 10 years as a court reporter. The film follows her radical, subjective viewpoint and her incredible encounters with Nazi jurists in today's courts of law.

Von Null Uhr Eins bis Mitternacht