Ray Anthony

Marilyn and I

The story of the legendary Marilyn Monroe party thrown by jazz legend Ray Anthony in 1952.

The Five Pennies

Dixieland cornetist Red Nichols runs into opposition to his sound, but breaks through to success. He marries a warm, patient woman and even finds time to raise a family. Then tragedy strikes when their daughter contracts polio.

Hollywood Out-takes and Rare Footage

Out-takes (mostly from Warner Bros.), promotional shorts, movie premieres, public service pleas, wardrobe tests, documentary material, and archival footage make up this star-studded voyeuristic look at the Golden age of Hollywood during the 30s, 40, and 50.

Daddy Long Legs

Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.

The Girl Can't Help It

A down-and-out gangster hires a down-on-his-luck agent to make his girlfriend a recording star within six weeks.

The Merv Griffin Show

This Could Be the Night

To earn extra money, a prim schoolteacher takes a second job as secretary to the uncouth owner of a boisterous nightclub.

The Big Operator

A power-mad union boss resorts to murder to eliminate witnesses scheduled to testify against him.

The Mike Douglas Show

The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.

High School Confidential!

A tough kid comes to a new high school and begins muscling his way into the drug scene. This is a typical morality play of the era, filled with a naive view of drugs, nihilistic beat poetry, and some incredible '50s slang.