Remigijus Vilkaitis

Emilia

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

The Flood Won’t Come

A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.

Pelėkautai

Pagalvės mokesčio rinkėjas

The film is based on the memoirs of Teodoras Jevlašauskis.

A Strong Feeling

The performance is based on the play of the same name by Ilya Ilf, and Yevgeny Petrov.

Lost Farmland

The film covers the events in Lithuania in 1940-1945 and tells about the life of the Lithuanian intelligentsia. The characters are placed in crisis situations, when the problem of choosing a path, the problem of social and historical self-determination of the fate of the people and each person inevitably arises.

At the Limit

A young investigator, Andrews, arrives in a small town from Vilnius to investigate a trivial case of the theft of 8 tons of meat from a local factory. Due to the lack of places in the hotel, Andrews stayed at the house of Ewaldas Shvegreda. Andrews feels that there is some kind of connection between Shvegzhda and the accountant of the meat processing plant, Stankevicius...

Have Mercy on Us

1942-1943 Lithuania, Kaunas, German occupation. A young priest Jomantas comes to a new gymnasium to work as a religion teacher. Here he tries to persuade his students out of joining German army.