Rita Lafontaine
Acting
Biography
Rita Lafontaine (June 8, 1939 – April 4, 2016) was a Canadian theatre, film, and television actor. Born in Trois-Rivières, Quebec. She has been described as the muse of playwright Michel Tremblay and director André Brassard. Her career spanned over fifty years and left an "indelible mark on Québec theatre, film and television". She is a four-time recipient of the Gémeaux Award; three times for Best Lead Actress and once for Best Supporting Actress. She was named an Officer of the Order of Canada in 2005 and an Officer of the National Order of Quebec in 2011.
Born: June 8, 1939
Place of Birth: Trois-Rivières, Québec, Canada
Known For
Talk About Love
A television host tries to react to the process of alienation that the public is subjected to from variety shows.
Ti-Mine, Bernie pis la gang…
A married man and his family take in his brother, who is coming out from a religious order. They decide to realise the old family dream, migrate to Florida. But it won't be as easy as they think.
Seducing Doctor Lewis
A much-needed boost, in the form of a new factory, is promised to the residents of the tiny fishing village St. Marie-La-Mauderne, provided they can lure a doctor to take up full-time residency on the island. Inspired, the villagers devise a scheme to make Dr. Christopher Lewis a local.
The Mob
Seasoned drug smuggler and thief François “Chico” Tremblay is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal’s leading mob boss, who has forbidden local criminals from taking the assignment. Upon his return, Chico discovers he is being pursued from all sides, prompting an unlikely response: he calls a local talk radio show and starts revealing the mafia’s most carefully guarded secrets. As his revelations get more shocking, so do the tactics of his adversaries, culminating in a devastating gut punch of a finale.
Les vautours
Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.
The Revolving Doors
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn't seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who's about 10 or 12, tries to break through his father's silence and sorrow by taking matters into his own hands.
Kamouraska
A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman's destructive commitment to an ideal love.
The Lady of Colours
In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.
Mon amie Max
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?
A Life Begins
A twelve year old loses his doctor father to an overdose.
Filmography
as Rhéuna Tremblay, Grandmother
as Mariette
as Madame Lumbago
as Self
as Self
as Hélène Lesage
as Self
as Rita
as Maman
as Madame Brabant
as Claire
as Lucille
as Madame Beaumont
as Mme. Boissonneault
as Voice
as Soeur Honorine
as Gisèle Lapointe
as Thérèse
as Grande Admiratrice de Jeannot
as Linda
as Épouse du directeur
as Manon
as Caissière d'épicerie
as Une servante
as Françoise Durocher