Robin Mugnaini

Francesco

Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.

Trust

The trials and triumphs of one of the wealthiest and unhappiest families of the United States, the Gettys. Originally planned to be told over multiple seasons and spanning the twentieth century, the series begins in 1973 with the kidnapping of John Paul Getty III, an heir to the Getty oil fortune, by the Italian mafia in Rome.

Every Blessed Day

Guido and Antonia are a young couple with opposed characters and backgrounds. He works a night job as a doorman, while she works all day in a car rental service. This is the story of what happens when they decide to have a child.

Father Matteo

Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

Inferno

After waking up in a hospital with amnesia, professor Robert Langdon and a doctor must race against time to foil a deadly global plot.

State of Consciousness

Nightmares and reality become indistinguishable to Stephen when he is forced to take medication for a psychological disorder he doesn't have. To regain his sanity and get back to his normal life, he sets out to escape from the institution he has been trapped in.

La terra e il vento

A family portrait in Tuscany. Leonardo and Riccardo fight to defend what they really love - Leonardo is looking for freedom and Riccardo for family.

L'universale

This is the story of 3 friends, destined to lose and find each other over and over again. More importantly, this is the (true) story of a film theatre in Florence, The Universale, which was a cultural landmark in the city between the '60s and the '80s. It was a theater of its own kind, bringing together intellectuals, students, as well as the people from San Frediano, a well-known working-class Quartiere. Such unusual mixture among the cinema-goers also produced a sort of creative chaos, which is explored through the eyes of Tommaso, the projectionist's son.

Francesco