Sabriye Kara

Our People

Bizimkiler (Ours, Our People) was a Turkish drama, represented the lives of the people shared the same neighborhood. It is one of the longest-running series in Turkish television drama history.

Don't Let Them Shoot the Kite

Sent to prison along with his mother after her drug conviction, a young boy develops a warm, tender relationship with a political prisoner.

Baraj

Nazım meets Nehir on an internet dating site. They didn't see each other until Nehir sent her own photo. Thinking that Nehir is very beautiful and younger than him, Nazım hesitates to send his own photo and sends Tarık's photo. As Nehir likes Tarık in the photo and surprisingly comes to the Dam, things get complicated.

Piano Piano Kid

In 1940's Turkey, the world in the eyes of a child.

About Arif

Trust

Ali and Meryem are an ordinary family on the face of it. Meryem has a child from a previous relationship with Ferit. When Ferit reappears years later, Ali puts his wife to a test of trust. While Meryem is caught between her sense of gratitude and the agony of love, Ali's self-esteem begins to crumble. Ferit's murder fans the flames of distrust between them. They are too suspicious of one another to talk. During the police questioning, they cling to one another once again. Complicity becomes the glue of trust between them. Now they are a proper family.

Women's Ward

Murat is a charismatic political prisoner in Malatya. He is well respected by both inmates and prison officers. There he meets two women: Tozey, a famous prostitute, and Hanim, a defenseless woman accused of murdering her husband.

Yazlıkçılar

Kiracı

Kerim lives with his family in a rent house for years. One day his landlord tells him to look for another house or raise the rent money.He finds a house by the help of Sühandan whom he works together and in love.

Afife Jale

The life of Afife Jale, the first Turkish female theater artist, is recounted. Since childhood, Afife has been a free-spirited girl who loves her freedom. However, she lives in a conservative family environment. When she turned twelve, she was forced to wear a veil despite her objections. With the support of her family elders, her father allowed her to study painting at the School of Fine Arts. However, Afife's heart was set on theater. Initially, she staged plays for her friends on a small stage she had set up inside her home, performing the plays of the Afife Company. Her greatest obstacle was her father. With the support of her grandfather, the Pasha, and her childhood friend and lover, Dr. Ziya, Afife stood up to her father. She could not suppress her desire for much longer.