Sergey Medvedev
Acting
Biography
No biography available for Sergey Medvedev.
Born: November 5, 1982
Known For
Friday. 12
A film takes a look at horror movies, featuring a police officer pursuing a criminal. This criminal, known as “Friday,” has caused the townspeople to stay indoors by midnight. Investigator Zakharov is determined to find him, thinking he understands Friday well. Lisa, a character in the story, walks through the quiet city to return a coffee grinder.
Playing the Victim
A young man drops out of university and goes to the police. He's done nothing wrong he just wants a job. A particular job. Playing the victim in murder reconstructions. Maybe by getting close to death he can manage to cheat on his own.
Follow Your Dream
The main character is a cute ambitious girl Rita from a provincial town on the Black Sea coast. She decides to break out of the routine of doing local weddings and matinees and arrives to conquer the capital, trying to enroll in a drama school. She is waiting for a lot of difficult tests, which sometimes turn into very funny stories.
Yuri's Day
Before leaving Russia and moving to Western Europe, famous opera singer Lyuba travels to her hometown to say goodbye and show her teenage son around. But Andrey, Lyuba’s son, disappears and she must stay in the place she hates the most to search for him. A piercing exploration of identity and transformation, against the backdrop of a Russian hinterland, surrounded by Orthodox churches and snow.
Crush
Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.
Hypnosis
Teenage boy Misha attends hypnosis sessions with psychotherapist Volkov to recover from sleepwalking. As a result, Misha falls under the influence of a hypnologist to such an extent that he ceases to understand where reality is and where illusion is. After the mysterious death of one of Volkov’s patients, Misha decides to conduct an investigation to get to the bottom of the truth. But what if the dream and reality merged into one, and in the end he becomes the main suspect?
City Day
The crazy comedy "City Day" tells about one day in the life of the inhabitants of the provincial Lyubyakino. Celebrating the City Day, people did not notice that the president himself had planned the working trip through the town. Sudden news plunges everyone into shock and creates chaos: the mayor, the district police officer, the priest and other heroes from this place, lost in the outback, forgotten by God and progress, must, in the shortest possible time, bring the city, actively celebrating, as the last time, into a decent look, in a hurry to mask the problems from the view from the guarded cortege and to depict that this is a place of high culture of everyday life.
Sex, Coffee, Cigarettes
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
SuperManager, or Hack of the Fate
A funny fantasy about mangers, hobbits and other surprising people.
Gentlemen Golovlevs
"Gentlemen Golovlevs" is a social novel from the life of a noble family. The disintegration of bourgeois society, as in a mirror, was reflected in the disintegration of the family. The whole complex of moral relations that cement family ties and regulate moral norms of behavior is collapsing. The topic of family becomes topical. The attention of M. E. Saltykov-Shchedrin in this novel is entirely devoted to the analysis of deformities, the study of causes and the display of consequences.
Filmography
as Father
as Костя Пыцык (Базаров) блогер
as student
as Louis XIV (segment Sex, Coffe, Cigarettes & Louis XIV)
as Nikita Romashov
as glitch
as Govyadinov
as Andrey 'Monakh'