Sergio Rossi

Gamma

The story of a brain transplant on a young race car driver and of its ethical implications in this Italian science fiction-drama television miniseries.

La fine dei Greene

Maniaci sentimentali

Crime Boss

Hit man Antonio Mancuso travels to Italy to make the big time. He meets and befriends Mafia boss Don Vincenzo. Mancurso becomes part of the organization and the more he gets to know Vincenzo the more he wants his job but Mancurso will learn that success can come at a severe cost.

Africa Blood and Guts

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Towards Zero

Verso l'ora zero is an Italian television film from 1980. It is based on the Agatha Christie novel Towards Zero.

Petomaniac

The real story of a French man who was able to control his own farts.

The Green Trail

Set in the USA, the plot concerns Thomas Norton, a researcher in the field of lie detection, who provides his services to courts and private industry. One day he idly attaches electrodes to a plant in his office, and is surprised to find it responds with recognisable emotional reactions to the stimuli he gives it. He pursues this research, and keeps a plant wired up in his lab. When a woman who lives in his building is mysteriously murdered in his lab, the plant is the only witness to the crime.

Othon

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.

Emma sono io

Francesco Falaschi's comedy I Am Emma stars Cecilia Dazzi as a woman who suffers from an unusual disorder. Emma is a town councilwoman whose husband (Marco Giallini) has taken a mistress because he dislikes her repressed behavior. Her demeanor changes radically when the town pharmacist runs out of Emma's daily dose of depressants. Emma has a disorder in which she is naturally outgoing and upbeat. Her marriage gets rocky as she expresses her true self. The town responds poorly to a woman being so brazen, but Emma's best friend (Elda Alvigini) is inspired by Emma to make a major life change.