Serhan Arslan

Kuruluş Osman

The life of Osman Bey, the son of Ertuğrul and the founder of the Ottoman Empire, as he established and controlled it, facing internal and external struggles against Byzantium and the Mongol Ilkhanate.

Elveda Rumeli

The European Side

The life and times of rather traditional Sutcuoglu family and their comedic struggles to adapt the high-profile contemporary life of Nisantasi.

Life Science

Centered around a life science class teacher, "Afet Hoca", the humorous and genuine story of high-school students in Ridvan Kanat High School.

Harem

Beautiful Charm

Cazibe, an Azerbaijani immigrant, marries Kemal to become a Turkish citizen. Ms. Gül who deals with illegal marriages arranges this marriage which will last for 3 years according to the agreement. Kemal receives 10,000 Turkish liras from Cazibe. But Kemal has a girlfriend, Simge, who is the daughter of Kemal's boss. Kemal's boss does not know that Kemal and his daughter are in a relationship. Simge thinks that Cazibe is Kemal's maid. However, Ejder is the foreign marriage detective and he is trying to find proof that Cazibe only married Kemal to become a Turkish Citizen. The word "Yahşi" comes from Azerbaijani and means "beautiful, nice, attractive". "Cazibe" means seduction.

The Ottoman Republic

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.

Hayalet Dayı

Cennet Mahallesi

Unutulmayanlar

Aziz, a former Yeşilçam director, was devastated when the woman he loved, Leyla, starred in a sex film, and he left Istanbul. Thirty years later, the stubborn man sells everything he owns and returns to Istanbul to film the script he has kept under his arm. Upon arriving in Istanbul, Aziz's first task is to find his "old friends." The elderly crew members are excited by the idea, but none of them are where Aziz left them, or as he left them. A lot has changed since then. Most of them have moved away from cinema and are doing other jobs. Aziz's determined attitude convinces the old crew that they can make the film. His friends know that Aziz wrote this script for Leyla at the time, and they suggest casting her in the role. Aziz vehemently refuses. His friends realize that the wounds are still fresh, and Aziz has not been able to let go of Leyla. It is clear that Aziz and Leyla are in for a difficult reckoning.