
Teruko Kishi
Acting
Biography
No biography available for Teruko Kishi.
Born: May 1, 1905
Place of Birth: Hokkaido, Japan
Known For

Oyaji Daiko
The Tsuru family is a family of nine, headed by Kamejiro. Kamejiro is the president of a construction company that has made a fortune in its first generation, but he is a one-man family. His wife, Aiko, is a typical good wife and wise mother type. Kamejiro gets angry and thunders down every week, and the children are afraid of him, calling him "Oyaji Daiko", but he also takes advantage of this.

The Human Condition I: No Greater Love
After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labor chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts, and moves to Manchuria with his newly-wed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

Sandakan No. 8
A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

Stray Dog
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

Untamed Woman
A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

Bridge of Japan
Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

The Insect Woman
A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

Break Down that Wall
A man is wrongfully accused of murder.

Marriage
In postwar Japan a young woman is unable to marry her sweetheart because her family's in difficult circumstances and needs her income to keep afloat.

Punishment Room
Shimada is a student of U College. When the college's baseball team wins the day, he and his friend Ito drug two girls they met at the game.
Filmography
as Nami
as Shino's grandmother
as Hotel Mistress
as Housekeeper
as Rin
as Omine
as Yoshio's mother
as Masu
as Tokuzo's wife Tamiko
as Tane Momozawa
as (uncredited)
as Kinoshita
as Oshima's mother
as Shika, his mother
as Sodeko
as Moriyama