
Theo van Gogh
Directing
Biography
No biography available for Theo van Gogh.
Born: July 23, 1957
Place of Birth: Wassenaar, Zuid-Holland, Netherlands
Known For

Flodder
The misadventures of the anti-social Flodder family living in a upscale suburban neighborhood.

The Northerners
A black comedy set in the 1960s in a small Netherlands community, populated by a cast of eccentrics, all of whom hold a range of sexual obsessions and frustrated desires.

Terrorama!
The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping Gerard van Dongen, a well-known TV host. During an improvised TV show, the terrorists confront this Van Dongen with their darkest thoughts and emotions, resulting in violent excesses and extreme sexual behavior.

Interview
A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.

White Madness
The toxic, suffocating relationship between a dominant mother and her estranged son, Lazlo. Lazlo lives a reclusive life in a squat, spending his time painting taxidermied animals and using heroin. When his mother is involved in a serious accident and calls for him, he is forced to confront the world he tried to leave behind, leading to a grim collision between her delusions of control and his self-destructive addiction.

The Sequence of Parallel Bars
The film opens with a rubber-clad woman stepping sensuously out of a limousine. The camera lovingly closes-up on her stilletoed foot... She enters a dark desolate warehouse, and meets two men, who proceed to chain her up and worship her body. Originally projected on three screens simultaneously. Music by legendary noise musician Merzbow.

Theo van Gogh: The Yearning
Theo van Gogh yearned for love, attention and freedom. How do his family, colleagues, friends and enemies view the radical way in which he worked and lived? And, twenty years after the murder of Theo van Gogh, how do we relate to the discussions he sparked at the time?

Wintertijd
Filmography
as Self (archive footage)
as Himself
as religious maniac
as Self
as Fat Willy
as The Corpulent Man