Tomáš Petřík

Sestřičky

Případy 1. oddělení

Into the Darkness

What led a former top scientist to rob a bank and hold a dozen hostages? Czech Television's crime thriller based on Martin Goffa's novel "The Little Girl" is squeezed into two environments - the interior of a robbed bank with hostages and the interior of a crisis management car, from where the police communicate with the mysterious attacker and try, like him, to play for time and find out more about him. The flashbacks also tell the story of the attacker's daughter Karin from the recent past, gradually revealing a connection with what is happening in the current storyline.

Dobrá čtvrť

Blue Code

A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.

After Party

Carefree Jindřiška (23) discovers that her father owes a lot of money when debt collectors arrive to confiscate their house. In a single day, Jindřiška's world falls apart, forcing her to choose between helping her father or saving herself before it's too late.

Adikts

Policie Hvar

Croatia. A holiday destination for hundreds of thousands of Czech and Slovak tourists, who come here for the sea, mountains, monuments, entertainment, and relaxation. Because even in a holiday paradise, sometimes things go wrong. And sometimes there's murder... The story of the series takes place on the island of Hvar, where a central pair of Czech-Slovak detectives helps to solve crimes involving Czech and Slovak tourists. Michal and Ivana are like fire and water. While he is a funny, sarcastic detective from the "old school," she is a free-spirited, temperamental woman. Together, they must restore the disrupted harmony of the sunny island. The mixed local police force gets to investigate even the most serious crimes. The rule is clear. A Czech body, a Czech chief investigator. And vice versa.

Šéfka

Neptune

In 1964, the discovery of secret Nazi documents in the bottom of a lake in the Šumava hits the press worldwide. Years later, it is revealed that the sensational event was orchestrated by the communist regime in a campaign against West Germany, code-named Neptune. Revisiting recent political past of the Cold War in a noir pastiche, this docufiction contributes to the process of myth-making as a necessary construction of our perception of the history.