Trix Zwartjes
Acting
Biography
No biography available for Trix Zwartjes.
Known For
Living
Frans Zwartjes and his wife explore their new home, and the sexual tension they've brought with them to it.
Bedsitters
Set on the landing and the stairs of Zwartjes’ new house, then still empty, in The Hague. The filmmaker suggests a mysterious and complex space by using a ‘floating’ camera to film a number of crawling, creeping personages. (MUBI)
Anamnesis
Film in three parts. A man and a woman, Trix Zwartjes and Lodewijk de Boer (Zwartjes’s regular actors) circle around each other in a house and outside at the water side. They attract and reject each other.
Pentimento
In a monumental building a group of scientists submit women to obscure experiments in which sexuality and cruelty constantly merge into one another. "Pentimento" is an art-historical term for a hidden image underneath the actual image giving an indication of how the latter evolved to its current state.
The Great Magician
"The Great Magician" - A portrait of Frans Zwartjes (1927-2017), sometimes called 'the most important experimental filmmaker of his time' by the American essayist Susan Sontag.
To Tea
To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to sensual contact between two women. Their contact is arrived at through an arrangement of slow tactics. As the light of day goes the bodies come closer, and the piano melody floats in a distant hall. Once my Hungarian art teacher said: “If you exaggerate the objective lines you reach a stronger subjective expression.” So here the strange tea party gives over to touch. – S.D.
film fragments
A selection of never-before-seen cinema sketches by Zwartjes, compiled by Stanley Schtinter with music from Zwartjes' record Tapes I.
In Extremo
The central element in this film is formed by the preparation for and execution of a performance. The performance, a parachute jump, is carried out by an artist (Perrenet) and his girlfriend during the opening of an exhibition. As spectators to the performance, which takes place in the artist’s studio, an art dealer and several friends have been invited. The art dealer enters first, followed by Armand, who looks at some paintings made by Zwartjes; they spout the usual ‘gallery nonsense’. The art dealer appears most interested in the girlfriend. ‘My latest creation’ is how Amand introduces her. The guests who arrive thereafter are introduced in short, independent sections.
Film II
To mark his ninetieth birthday, EYE has restored Zwartjes’ very first film, originally shot on Super-8 and long thought lost. Zwartjes started his career as a violinist and visual artist. He took photographs, made music and built instruments – but only really broke through with his equally craftsmanlike films.