Vasile Brescanu

Don't Believe the Cry of a Night Bird

Immediately after the war, veteran Vasile Karuntu came to the machine-building plant where Ion worked, who soon became a foreman. They both fell in love with Maria, but she married Vasile. With Maria, he created a family, raised four children, three of whom are adopted orphans. And now, many years after the first rivalry, the management of the plant releases Jonah from the foreman and appoints Vasile instead...

The Tunnel

Romania, 1944. Six intelligence agents, Russians and Romanians, at the cost of their own lives, prevented the Nazis from destroying a strategically important object — a tunnel on the path of the Soviet Army.

At Attempt to Escape

Bessarabia on the eve of World War II... Soldier Ștefan Brebu is being taken to trial in a prison car as a witness. The escorts were ordered to shoot him on the way "at attempt to escape." A soldier can give testimony in court that is undesirable for the authorities: it was not communists who were shooting at unarmed peasants...

Emissary of the Foreign Centre

A Delayed-Action Explosion

The plot is based on the creation of an illegal Marxist printing house in Chisinau in 1901, which reprinted the newspaper Iskra and other underground literature.

Nikushor From the TV Tribe

The film is about difficult-to-educate kids and those who are involved in their upbringing.

Wedding at the Palace

Musical comedy about a wedding that takes place in a village in Moldova.

Horse, Gun, and Free Wind

In the 18th century, Moldavian land was under the yoke of foreign invaders and the oppression of local boyars. A national liberation struggle unfolded in the country, in which the Hajduk led by Ataman Badiu actively participated. Boyar Manya, with the help of mercenaries, managed to capture him. But the boyar's daughter, who loved Badiu, gathered a detachment of Hajduk, who freed their chieftain.

The Last Night in Paradise

Spring of 1944. In a small village on the banks of the Dniester River, at the kulak estate of Sanda Țițan, everyone awaits the arrival of Soviet power in their own way. Sanda’s eldest son, a Romanian officer, leaves home with the occupying forces. The younger sons head into the forest, taking their mother’s last savings with them. Nikolai withdraws deeper into himself, realizing the futility of his life and vaguely hoping for something new, something bright. And standing firm amidst all this turmoil is Alexandra, Sanda’s steadfast daughter-in-law.