Vasilis Tsikaras
Writing
Biography
No biography available for Vasilis Tsikaras.
Known For
Exodus 1826
Captain Michos Floros returns to Samarina to gather more men and lead them to Messolonghi, joining General Makris's existing forces. Thus, with the help of his friend Elias Manakas and 25 other men, they set off on a long journey to meet Zisis Hatzimati and the rest of their compatriots in Messolonghi. On March 31, 1826, they began their difficult journey through the mountains. At the same time, the women in the village tried to learn from Eleni Florou the real reason for their men's sudden departure. Ibrahim Pasha and the Turkish commander of Arta, Nihat Servan, prepare their final attack on Messolonghi.
Poliorkia
The film is based on true events, the battle of the Monastery of Dobra in Veroia, in March 1822. However, history repeats itself. Amidst the hostile climate of war, two families meet at a monastery to secretly perform a wedding. However, this does not go unnoticed. A betrayal will lead thousands of Turkish soldiers to the monastery. The abbot of the monastery, the monks, and the members of the two families take up arms, and the siege begins. Along with it, a struggle for survival and a series of revelations also begin. The story unfolds on the big screen through a conversation between two Greek army officers at the Roupel Fortress in March 1941, who are facing the same challenges a few days before the German attack.
1821 at the Cinema
In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.